Sunday, February 16, 2014

One of those Epiphany Moments

I had one of those Epiphany moments yesterday morning. Something I knew but hadn't taken onboard. I needed to write more to create emotion and less to impart information. I needed to focus on using the words, rhythm and pacing to get the reader to feel something. So I spent the day writing 500 words, vice the normal 6000 I would normally achieve during that time. I wrote, and rewrote, constantly changing, removing detail. removing action. Shortening, replacing words. And when I was done, the damn thing read like a boring text book. So I started all over, then had the second epiphany of the day. I couldn't tell you the books major conflict, major problem. I couldn't describe it in one sentence because it didn't have one.

Needless to say I then spent hours changing the scene so I could set up the story problem. Using the writing to define and discover the story. And ended up putting in information and detail that ruined the emotion.  It was fun but useless. I have a great setting, great situation in my mind, (Dystopian Warrior School, Misfits who must pass tests to get the future they want) All of it locked up inside an Enclave located on a walled off Cape  Cod. Obviously, a great deal of detail but I don't have the major problem, not yet.

Is it a rebellion, coming of age, romance, quest, I don't know yet. Yet.

So, creating emotion is slow for me. No use starting a story unless you know what the major problem is.

Here is an example of what I wrote, I don't like it yet, but I am using it to get me into the story. it will change. I have highlighted the parts which are in their for information purposes. I think you will see that they get in the way of the emotion part.

                                                   Danny Erikson

I sat there and watched a man die. It wasn’t an easy death. But then my father had never taken the easy way. No, not him. Not when there were boundaries to be pushed, edges to be skimmed, questions to be asked.

For two days I watched the light slowly leak from his eyes. Two days of pain and anguish. Two days of regrets and anger. All of it totally and completely unnecessary. Or at least it would have been in the old days. The time before. Back in the golden age of miracle medicines, electricity on demand, and a society that cared enough to not kill itself.

My dad had been a field hand. Only a field hand as they say. Technically we were all the same, the same level of importance to the Enclaves survival, yeah, right? You learned early in a small village, where the pecking order stood. But even as a field hand, my dad stood out, I had seen the way people listened to him when he talked. I had seen the way my mom looked at him, as if he was special. People knew it wasn’t fair. But he never complained, never made people feel bad.

 Mom told me in my early years that he could have been more, so much more, maybe even senior staff. But an illness at the time of testing. That’s all it took to change a man’s life, away from the corridors to power and onto the enclaves fields, spending the day watching a horses ass as you plowed another field.

Now he was dead. No more. My world had shattered like a stone through the winter ice. How do people function with this blanket of loneness draped over their shoulder?

I pushed a tear off my cheek as a flash flew through my memory. The time I came home crying my eyes out after a painful fist fight at school. He didn’t get mad that his seven year old son had been fighting. He didn’t get mad that I lost, he didn’t even get mad that I was crying. Instead he put his arm around me and pulled me in for the tightest, warmest hug ever and told me he would help me, teach me, and always love me.

My father was so much more than just a field hand.

“I swear dad, I swear on momma’s grave. I will make you proud. I promise,” I muttered through clenched teeth as I folded the sheet around him and pinned it close. My fingers shook as I tried to close the safety pin. It was a waist to send the pin to the bottom of a grave, “I will do what they wouldn’t let you do. Your grandchildren will live in a warrior’s house, maybe even a staff house. No field shacks. I promise you with every part of my being.” Stepping back I looked at the body shrouded in white. This was no longer my father. My father lived in my memories, the quick smile, and the rough hands that could sooth a little boy’s worries. The eye twinkle that let you know all was well in the world.

 

 

Saturday, February 15, 2014

Genre


Every story can be placed in a genre. A category designation that helps the author and reader differentiate between books. Each genre can have a sub-genre. A further categorization that more narrowly defines a book.
Knowing which genre your story falls into will help you focus on the true problem. Each genre has unique rules and reader expectations. You can’t meet those expectations unless you know where your story belongs.

Romance - In which the main story problem, the main conflict, is whether two people will fall in love and live happily ever after. Main Rule = Must have a happy ending.

Science Fiction – The main story problem/main conflict is irrelevant, what is important is that it happens in a world different than our own. Main Rule, The physical laws of science apply. Sci Fi is usually IDEA based. It is the new way of looking at things.

Fantasy - The main story problem/main conflict is irrelevant, what is important is that it happen in a world different than our own. Main Rule, Physical laws do NOT apply (Magic.) Fantasy is usually Character based. It is what these people do in this new and weird situation.

Mystery – The main story problem/main conflict is to find the answer to a major problem, usually a crime. Main Rule, the clues must be included. No surprise endings.

Literary Fiction – The Main story problem/main conflict is not critical but usually revolves around common problems. The Prose, the words are as important if not more so than the plot. Main rule, the words evoke emotions, not just the plot.

Thriller – Main Story problem/main Conflict is to save something larger than themselves. The Hero’s journey. Main Rule, the problem must be external to the character.
 

Sub- Genre. Any of these can be used in any of the Main Genres

MG = Middle Grade – In which the main character starts to story innocent, grows but does not completely loose that innocent. At the end there is room for more growth.

YA = Young Adult – In which the main character loses their sense of innocence and becomes who they are going to become.

Historical – The setting is “Time” related and forms a major part of the story. The Times determine plot points.

Erotica – In which the sex scenes are made better by the story. Vice normal literature in which the story is made better by the romance.

Urban – A gritty, contemporary setting within a large population. Always deals with harsh personal situations.

Paranormal – In which everything is normal except when it isn’t. A unique power or situation in a normal world.

Dystopian – In which the social power structure has changed significantly. This new environment will affect the plot points. The main problem of the story is result of this new society.

 

Wednesday, February 5, 2014

My version of story beats


Story Beats. After a lot of research I have come up with my own Story Beats. I find that I learn best by manipulating ideas until they are my own.  This is by no means the only way of looking at it but it is my way.  These plot points need to show up in every story. They move the story along. Placed at the wrong spot in the story or worse, out of order and they can ruin it.

Imagine an Inciting Incident that happened on page 200. Or shudder thinking about a climax on page 20 followed by a 200 page denouement. Imagine a Dark Moment happening before the start of the journey. A story has to flow; we know it when we see it. Things have to happen in the right order at roughly the correct periodicity. Too much in between and a reader skips ahead to get to the next important plot point.

 
 
 
 
 
 
 
 
 
 
 
The Story
Act I
Boy Finds Girl
Intro
Opening
The Character, situation "Before"
"In a galaxy far far away. A long time ago"
Page 1-3
 
 
Setup
A young farm girl runs away from home
Page 1-3
 
 
Inciting Incident
Theme Stated
The event that changed the course of the Main Characters life
Good vs Evil, Coming of Age, Man against Nature
Page 1-20
 
 
Catalyst
House Falls on Evil Witch
Page 20-40
 
 
Start Journey
Debate
How do I get home
page 40-60
 
 
Act II
Boy loses Girl
New World
Change Playing Field
How are things different
Hogwarts
Page 60-100
 
 
B Story
Scarecrow, Tin Man, Lion
Page 60-100
 
 
Fail, Regroup, Fail
Fun & Games
The meat of the story. Attempt to solve the problem
Fight Empire
Page 80-160
 
 
Midpoint
Go after Voldermort or let others do it
Page 150
 
 
Bad guys regroup
Flying Monkeys
Page 140-180
 
 
Dark Moment
All is lost
Darkest before the dawn
Hans taken away
Page 160-200
 
 
Dark Moment
Luke, I am your Father
Page 180-220
 
 
Act III
Boy Gets Girl
Forces come together
A&B Combine
Bring subplots together
Ron wins at Wizard Chess
Page 200-240
 
 
Climax
Climax
Protagonist changes so that they can win
Kill Voldemort, Tap Ruby Slippers,
Page 240-280
 
 
Denouement
Final Image
Restate theme. Impact of the change
19 years later, Harry says goodbye to children at train station
Page 280-300
 
 
 
 
 
 
 
 
 
 
 

 

Friday, January 17, 2014

In depth experience vice skimming the web


The other night I learned that in the 1700’s when the Steam Engine was invented. Human knowledge doubled every 120 years. Today it doubles every 2 years. By 2020 it will double every 72 hours. Think about it. What does this mean for us as a species and even more importantly what does it mean for us as writers of fiction.

I believe that people will become experts at finding information. We won’t know things - we will know where to find it. I think our kids are already well on the way. They know how to navigate the web, finding the answers to their questions quickly, and surfing across the top, rarely diving in. Think about how almost every procedure is written out in fine detail. Every bureaucratic directive is instantly propagated around the world. Very few people are experts on one thing and no one is an expert on everything.

Like the Missouri River, our knowledge will be a mile wide and an inch deep. The one exception will be “Fictional Stories”. Novels will be the only place that people take the time and effort to totally live life through someone else’s experiences.

 I believe very strongly that Novels are different from other forms of entertainment be they games, TV, web surfing, or anything else dealing with information flow. When the reader falls down that rabbit hole they experience the story in the first person. They feel, touch, smell, and hear. I think that Novels will be the escape from a world full of surface shimmers. The one place a person can go to get away from information overload.

We need to remember this, we need to insure the reader experiences the story at the sensory level. That we show them new things and lead them to new places they wouldn’t have found by surfing across the top.
 Reading “A Tale of Two Cities” is different than reading a web site about the French Revolution. Diving into “The Grapes of Wrath” is not the same as playing Mario Cart. I believe people will want more of these experiences as they get inundated with more information. What do you think?

Saturday, January 4, 2014

Things That Turned Out To Be True


When I started this writing thing a few years ago I began by reading books about writing and doing a lot of research online. Looking for the quick, easy answer on how to write the great American Novel. Needless to say I didn’t find  it. 
Several of the articles and books consistently mentioned things that I found surprising when I read them and later turned out to be very true:

1.      Your reading for pleasure experience will change. You won’t look at books the same. You will start seeing how you would have done things differently. It can become harder to stay down the rabbit hole. I have found that selecting GOOD books that are significantly different than what I am working on makes the reading experience better.

2.      The middle is the hardest part. Writing that novel begins to drag around the 30K mark. You probably have figured out how the book is going to end and you just want to get there. I have found that if I am having a hard time getting over the hump that if I drop a mountain on my characters. Introduce something I hadn’t anticipated it goes a long way to energizing my writing. It also helps having critique partners that help keep you motivated and working towards your goals.  See this excellent post about goals http://eryncarpenter.wordpress.com/2014/01/02/looking-forward/

3.      Writing “The End” after you finally finish your first novel will change you as a person. It is something they can never take away. Achieved something that you probably doubted would ever happen. Maybe something other people doubted about you as well. You have created something out of nothing. What is more, now Hemmingway and Tolkien are just like you. Enjoy it, wallow in the pleasure then get up and do it again.
I have learned a lot of new things about craft and the rules of writing  But the things above were truly surprising.